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高中三年级英语

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  • 阅读理解
    阅读理解。
    An idea came to me, and I turned off the lights in the studio. In the darkness, I took off my shirt and took
    up the cello (大提琴); it was the first time in my life I'd felt the instrument against my bare chest. I'd never
    thought about that; music scholars always talk about the resonating properties (共振) of various instruments,
    but surely the performer's own body must have some effect on the sound. As I dug into the notes I imagined
    that my own chest and lungs were extensions of the sound box; I seemed to be able to change the sound by
    the way I sat, and by varying the muscular tightness in my upper body.
    After improvising for a while, I started playing, still in the darkness. I heard the music through my skin.
    For the first time I didn't think about how it would sound to anyone else, and slowly, joyfully, gratefully, I
    started to hear again. The notes sang out, first like a trickle, then like a fountain of cool water bubbling up
    from a hole in the middle of a desert. After an hour or so I looked up, and in the darkness saw the outline of
    the cat sitting on the floor in front of me, cleaning her paws and purring loudly. I had an audience again,
    humble as it was.
    So that's what I do now with my cello. At least once a day I find time to tune it, close my eyes and listen.
    It's probably not going to lead to the kind of comeback I'd be thirsty for-years of playing badly have left scars
    on my technique-but I might eventually try giving a concert if I feel up.to it. Occasionally I feel a stab of
    longing, and I wish I could give just one more concert on a great stage before my lights blink off, but that
    longing passes more quickly now. I take comfort in the fact that, unlike the way I felt before, I can enjoy
    playing for myself now. I feel relaxed and expansive when I play, as if I could stretch out my arms and reach
    from one end of the apartment to the other. A feeling of completeness and dignity surrounds me and lifts me
    up.
    1. The writer put the cello against his bare chest to _____.
    A. test music scholars' ideas about the resonating properties
    B. experience the effect of his body on the musical sound
    C. reduce his muscular tightness in his upper body
    D. check the function of the sound box
    2. In Paragraph 2, the writer intends to _____.
    A. explain his feelings of playing before a cat
    B. identify specific pieces of music he played
    C. express his feelings of playing against his body
    D. describe the sound when he played against his body
    3. From the last paragraph we can infer that the writer was _____.
    A. optimistic
    B. discouraged
    C. nervous
    D. enthusiastic
    4. The passage is mainly about _____.
    A. a musician playing the cello for an audience
    B. a musician's feelings when playing the cello
    C. a musician finding joy in playing music in a new way
    D. a musician's desire to return to his former profession
    本题信息:2011年期中题英语阅读理解难度较难 来源:张雪
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本试题 “阅读理解。An idea came to me, and I turned off the lights in the studio. In the darkness, I took off my shirt and tookup the cello (大提琴); it was...” 主要考查您对

人生感悟类阅读

等考点的理解。关于这些考点您可以点击下面的选项卡查看详细档案。
  • 人生感悟类阅读

人生感悟类阅读的概念

生活感悟类的文章就是指能给人心灵以启迪,使人从中受到教育的文章。这类文章的体裁可以是记叙文,如生活中一些感人故事或情感故事,有点类似心灵鸡汤一样的短文。


生活感悟类阅读解题指导:

一、文章特点:

生活感悟类的文章就是指能给人心灵以启迪,使人从中受到教育的文章。这类文章的体裁可以是记叙文,如生活中一些感人故事或情感故事,有点类似心灵鸡汤一样的短文。有时故事的结尾会有一句“点睛之笔”,点出全文的中心思想,就像《伊索寓言》里的寓言一样。还可能是夹叙夹议的哲理散文或生活随笔。散文随笔通常会阐述一种朴素易懂,耳熟能详的人生道理或宝贵品质。文章的结构和议论文类似,一般是总分总或总分结构。每段首句或尾句为主题句(论点),其它句子围绕主题展开论述(论据),论证方法多种多样,或举例,或引用名言,或正反对照等。

二、解题技巧:

针对生活感悟类文章的特点,做这类文章的完形填空时,要特别注意以下几点:
1、重点理解全文的首句。如果是记叙文,找出when,where,who,what等基本要素。如果是散文随笔,充分理解文章的中心句—全文的主题。
2、阅读全文的结尾段或结尾句,有助于理解文章所阐述或蕴含的哲理、感悟或忠告等。
3、调动自己的背景知识和情感。这类文章不会讲大道理也不会涉及到一些很专业的知识技术领域,而是谈一些小事和简单的道理,所以如果读者能和作者产生感情上的共鸣,读者会更好地把握作者的意图态度,从而提高做题的准确度。因此,考生在平时要做一个有心人,即用心去感悟生活中发生的小事,思考人生的一些基本道理,多阅读一些短小精悍的美文,多写写自己的心情故事和对生活学习的感悟。只有平时多用心,做题时才能调动自己的背景知识和情感。