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    THERE are many different Londons, and they appeal to people with many different passions: museum lovers, theatergoers, opera buffs (爱好者,迷;热心人), devotees of royalty, students of history, people who like to walk in the rain. But richest of all, perhaps, is the London for book lovers.
    Because the city is the star and the backdrop of so much great literature, it is possible to believe you know it very well — how it looks, how it feels — without ever leaving your home country, or indeed your home. But it is better to visit, if only for the joy of seeing the landscape of your imagination come to life. How breathtaking to happen upon Pudding Lane, where a bakery accident led to the Great Fire of 1666, after reading Pepys’s account in his diaries. Or to wander along Baker Street, where Sherlock Holmes once fictionally solved the unsolvable. Walk across London Bridge and gaze down, toward Southwark Bridge: this is the stretch of the Thames where Dickens’s sinister characters dredged up corpses in “Our Mutual Friend.”
    The city is not so foggy as it was in 1952, when Margery Allingham published “The Tiger in the Smoke,” or as socially stratified as it when Marianne Dashwood waited in “Sense and Sensibility” for a suitor who never called; or as greedy as it was in the thrusting 1980s of Martin Amis’s “Money.” But it is all of those Londons, an accrual of different descriptions and eras. It is a city made for description — reread the first passages of “Bleak House,” also on the subject of fog, for a moody introduction — and one that so respects its authors that it buried a number of the best ones in style, in Westminster Abbey.
    There are plenty of organized literary-themed tours around the city, easily found on the Internet. Or you can wander characteristically on your own, which is more fun. If you take the Tube or the bus, make sure to carry a book.  
    6. What can we infer from the first paragraph?
    A. Most people of London like visiting museums.
    B. No Londoners go to cinemas to see the films.
    C. A majority of Londoners are book lovers.
    D. All the Londoners like to walk in the rain.
    7. What information can you get from Pepy’s diaries?
    A. Great Fire of 1666 caused by an accident in a bakery.
    B. Sherlock Holmes once lived in Baker Street.
    C. London Bridge is next to Baker Street.
    D. “Our Mutual Friend” is one of Dickens’s works.
    8. Who is Sherlock Holmes?
    A. A book lover.            B. A character of Dickens’s novel: “Our Mutual Friend”.
    C. A detective.              D. A person who set the Great Fire of 1666.
    9. In which book can’t you find the description about the fog in London?
    A. “The Tiger in the Smoke”        B. “Sense and Sensibility”
    C. “Money”                                       D. “Our Mutual Friend”
    10. Which of the following statements is NOT true according to the passage?
    A. Most kinds of tours around London may be found on the Internet.
    B. You must be shown around London by a guide.
    C. There are many kinds of literary-themed activities including tours.
    D. You’d better take a book when you travel in London.

    本题信息:英语阅读理解难度一般 来源:未知
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社会现象类阅读概念:

这类文章通过写人记事来揭示文章的主题,显示其社会意义,一般采用顺序或倒叙来叙述。题目经常是一些细节问题。考查的方面可以是原因和其中引发的思考。


社会现象类阅读解题技巧:

这类文章通过写人记事来揭示文章的主题,显示其社会意义,一般采用顺序或倒叙来叙述。题目经常是一些细节问题。考查的方面可以是原因和其中引发的思考。阅读这类文章要理清思路。
1、浏览试题,明确要求。
      在阅读文章前,最好先浏览一下文章后面的题干和选项。知道了问题后再去看文章,可使思路更敏捷,而且也便于阅读时留意文中出现的与选项有关的信息。   
2、通读全文,抓住主要内容。
      在不影响理解的前提下,尽可能地阅读以便在尽可能短的时间内理解文章或段落的内容。阅读时,如遇到不熟悉的单词、词组或一时看不懂的句子,不要停下来苦思冥想,继续读下去,通过上下文的词语和句子可能就理解了。   
3、抓住中心思想和段落大意。
      通读全文时,要特别注意主题句。每篇文章或每个段落都有与文章有关的句子,尤其是科技、政论性文章的主题句一般都在文章的开头或结尾,插在中间的很少。所以,文章的第一段或开头的第一、二个句子往往包含着文章的中心思想、作者的意图或全文的概述,因此要特别注意,彻底理解。   
4、有针对性地仔细阅读,找寻所需信息。
      在前面的基础上,可进行有针对性地阅读了。把与问题无关的内容一扫而过,而对于和问题有关的内容认真阅读,还可以用笔在下面做出记号。再把这些信息与问题的要求结合起来,逐条分析,综合判断,找出正确答案。   
5、进行合理的推理判断。
      对文章有了全面的了解之后,可以按照文章要求以及上下文之间的关系,做出推理判断。在进行推理判断的时候,需要综合考虑句型、语法、句子之间的逻辑关系、文化背景等方面的因素。   
6、认真复读,验证答案。
      要用全文的中心思想统帅各个题目,研究其内在联系和逻辑关系,并依次审核那些还未打上的题目,确保理解无误。